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  <url>
    <loc>https://www.andrewmorrisonbooks.uk/home</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2025-12-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/145dc5db-cdf2-438b-b84d-41c328c5d079/Either+Side+of+the+Rain.jpg</image:loc>
      <image:title>Home</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582397054093-EWF5ZTCESJ3TTMVUV4JY/averting-your-fate-andrew-morrison-typography-bookmaking.jpg</image:loc>
      <image:title>Home</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/bd2d6f95-511a-41ba-a410-4911ca98922c/Memory+House+Book+copy.jpg</image:loc>
      <image:title>Home - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582482416885-II3C75IO6A4CPHUIBNKR/traditional-printing-press-andrew-morrison-bookmaking-and-typography.jpg</image:loc>
      <image:title>Home - Enquiries and credits.</image:title>
      <image:caption>This is a small selection of books that I have made since I made my first book in 1978 at Leicester School of Printing. Please email for more information. I no longer own copies of all the books I have made but if you would like to see these books I can hopefully direct you to collections where they are held. Photograph credits: In the last ten years the main photographers of my books have been John Standnicki and more recently, Barney Wilczak. Any blurry or poorly photoshopped images will inevitably be mine.</image:caption>
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  </url>
  <url>
    <loc>https://www.andrewmorrisonbooks.uk/special-collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582729926761-RWJO1PIY388XRJ0RSRCM/Special_Collection2_0002_Litmus.jpg</image:loc>
      <image:title>Special Collection</image:title>
      <image:caption>Litmus The word litmus hand-cut into pages of litmus powder covered card and dipped in alkaline to acid solutions; edition of 3, 16 x 10cm; 2019</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582730086849-7XR7ESK551JIZDXSZHPL/Special_Collection2_0000_Rizla_book.jpg</image:loc>
      <image:title>Special Collection</image:title>
      <image:caption>Medium Weight Words A rizla book with printed leaves – each word linking those before and after to construct a simple narrative. Letterpress and medium-weight cigarette papers; edition of 25; 7.5 x 2.5cm; 2004</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/a62f5147-531f-4fd3-a79b-e80e710596be/1-10.jpg</image:loc>
      <image:title>Special Collection - Make it stand out</image:title>
      <image:caption>1-10 Concertina in a small box with woodcut fragments of the numbers 1-10. Unlimited edition. 14.5 x 6.5cm; 2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582729760030-LF1UG45O1QHTMAKE51XK/Special_Collection2_0004_Slate_Book.jpg</image:loc>
      <image:title>Special Collection</image:title>
      <image:caption>Rainwrites Text including phonetics, carved onto slate pages, the pages since used as garden ornaments; 30 x 22cm;1988</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582729531391-QW823686PR88AFNTBLBH/Special_Collection2_0011_Ceremonial_Objects.jpg</image:loc>
      <image:title>Special Collection</image:title>
      <image:caption>Ceremonial Objects Relief prints taken directly from familiar objects.  Single sheet printed on both sides and folded into a concertina; 28 x 19.5cm; edition of 50; 2013</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582728947136-J4ZDK2JCRMJZG4YFWCUP/Special_Collection2_0006_Home.jpg</image:loc>
      <image:title>Special Collection</image:title>
      <image:caption>Home A series of symbols and pictograms expressing the idea of house or home. This was made for the Sitting Room exhibition, initially at Manchester University then touring. Screenprint and letterpress with hand-cut apertures; map-fold with board covers; edition of 20; 15 x 11cm; 2008</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/86b0f13c-4433-432a-ab7f-db6910918743/I+spy+Christmas.jpg</image:loc>
      <image:title>Special Collection - Make it stand out</image:title>
      <image:caption>I-Spy Christmas For 10 years, Two Wood Press made Christmas objects for friends and customers. I-Spy Christmas was possibly my favourite. Sadly no one ever reached 100 points to get their order of merit (second class) badge. 13 x 10cm 2008</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582729364132-WWWWI9CY2QB0QLHKHM1L/Special_Collection2_0009_Edge_.jpg</image:loc>
      <image:title>Special Collection</image:title>
      <image:caption>Edge A text about boundaries and territories, with the text pushed to the edge of each page. Letterpress; concertina; edition of 20; 35 x 24cm; 2013</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582729867655-GNGY1Z758FHPNBEK4NPO/Special_Collection2_0003_Driftwood_Book.jpg</image:loc>
      <image:title>Special Collection</image:title>
      <image:caption>Driftwood Book Every artist has a driftwood artwork in their closet. Circle/line/cross symbols. Driftwood case with inserted objects; unique work; 26 x 16cm; 1986</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/94bf2803-ed94-4d3b-8b92-df01db24fb1f/Colour+totem.jpg</image:loc>
      <image:title>Special Collection - Make it stand out</image:title>
      <image:caption>Colour Totem Thirty pages of colour woodcut fragments. Unlimited edition 15 x 3cm; 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/e6aecb0b-e501-4ad8-837d-c68e78a72089/edj+deboss.JPG</image:loc>
      <image:title>Special Collection - Make it stand out</image:title>
      <image:caption>Edj Deboss version of library version. Letterpress; coptic binding with debossed greyboard covers; 15.5 x 15.5cm; edition of 30; 2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/2597ddfe-654c-4547-a287-74afd54bc2f1/7ply.jpg</image:loc>
      <image:title>Special Collection - Make it stand out</image:title>
      <image:caption>Severn ply Found book. River-made. Pages of parting plywood. 38 x 30 cm; 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582729138080-5K6EOBWZGMZY6BVQ2Q3N/Special_Collection2_0007_collection_IV.jpg</image:loc>
      <image:title>Special Collection</image:title>
      <image:caption>Collection IV One of a series of image sequences, each image relating visually or through association to those that surround it. Single sheet printed on both sides folded to a concertina. Screenprint; edition of 12; 12 x 12cm closed; 2005</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582729695755-9O7SA50AY60TRBNU8XL3/Special_Collection2_0005_Block_book.jpg</image:loc>
      <image:title>Special Collection</image:title>
      <image:caption>Block Book An ongoing recycling - proofs and misprints that become blockbooks. Mixed media; perfect bound; 12 x 12cm; 1990-present</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/9ea391c3-3e68-43a3-becb-aad2078ad0b3/andrew-morrison-printers-fist.jpg</image:loc>
      <image:title>Special Collection - Make it stand out</image:title>
      <image:caption>Six New Printers’ Fists This was never intended to be a book - I printed six linocuts (this one The Inept Handyman) for an exhibition of Alternative Printers’ Fists organised by Danny Flynn in 2010. I bound them together and they had a later glory in book form as part of Tim Jollands’ Show of Hands project in 2019. 29 x 13cm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582730017269-8UBM073KAIK93PAZKN3J/Special_Collection2_0001_Labels_.jpg</image:loc>
      <image:title>Special Collection</image:title>
      <image:caption>50 Adhesive Labels A roll of labels with each image or text connecting to the previous to create a linear relationship. Inkjet printed on commercial sticky-backed labels in a card box; edition of 50; 11 x 7.5 x 7.5cm; 2005</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582729458356-RJS7MPE49RFC8AFTPMAE/Special_Collection2_0010_Box_Book.jpg</image:loc>
      <image:title>Special Collection</image:title>
      <image:caption>Box/Book A cardboard book that folds out to become a box. Texts based on packaging instruction labels. Letterpress and screenprint with paper additions; edition of 12; 26 x 26cm; 2003</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/24f670d3-40bb-491e-87eb-3d4ef1ac8a1e/typestract-map-concrete-poetry.jpg</image:loc>
      <image:title>Special Collection - Make it stand out</image:title>
      <image:caption>Typestract Map Made with the help of John Furnival; a map locating the main venues associated with GLOUP and the Gloucestershire Concrete Poetry movement; 2012</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582729278060-ZT4PG7QQA58K4QTHQKQI/Special_Collection2_0008_Collection_V_.jpg</image:loc>
      <image:title>Special Collection</image:title>
      <image:caption>Collection V A fifth image sequences. Single sheet folded to a concertina; initially a woodcut in a limited edition of 5 then a screenprint; edition of 12; 12 x12cm closed; 2007</image:caption>
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  </url>
  <url>
    <loc>https://www.andrewmorrisonbooks.uk/get-in-touch</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-12-27</lastmod>
  </url>
  <url>
    <loc>https://www.andrewmorrisonbooks.uk/collaborations</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/10be43a1-3276-42ad-b474-984f7e0f3c28/Andrew-morrison-enveloped.jpg</image:loc>
      <image:title>Collaborations - Make it stand out</image:title>
      <image:caption>Enveloped Contribution for Posted/Unposted British Isles published by Codex Polaris, curated by imi Maufe and Angie Butler. 24 envelopes and content by different artists. Letterpress and relief print on tympan paper; 22 x 15cm; edition of 40; 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/02ad39b9-9bff-43ce-b41a-a0f730711683/Fence2.jpg</image:loc>
      <image:title>Collaborations - Make it stand out</image:title>
      <image:caption>Cowboys - Fence One of a series of three books made with Noelle Griffiths - http://noellegriffiths-art.co.uk Fence, Wilderness and Home using original material from the backs of 1960’s Kelloggs Cornflake packets collected by her mother. Edition of 4; 24 x 17cm; digital version 2022; Letterpress version 2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/5e086abd-8d1c-4df8-9ea5-a35a4da6d33b/Re+Veni+Re+folds+2.jpg</image:loc>
      <image:title>Collaborations - Make it stand out</image:title>
      <image:caption>Re Veni Re Double-folded concertina - eight poems developed from migrant stories by Maria Stadnicka. Made for the ‘Enfolded Journeys’ exhibition at Leeds Library. Edition of 5; 10 x 10cm; letterpress and woodcut; 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/e5d8d35e-799f-47dc-be7f-cce8f695a824/Memory+House.jpg</image:loc>
      <image:title>Collaborations - Make it stand out</image:title>
      <image:caption>Memory House Book with Mark Mawer (paintings) and Maria Stadnicka (poems) accompanying an exhibition and based upon Maria’s PhD research into migrant trauma. Letterpress, inkjet and woodcut; casebound; 17 x 23cm; edition of 50; 2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582733863655-THB4AIPJZAQROYYSR5PI/Collaborations_0005_Broadsides7.jpg</image:loc>
      <image:title>Collaborations</image:title>
      <image:caption>Broadsides Souvenir booklet from an Arts Festival project at the University of Gloucestershire in Cheltenham; Andrew Morrison/Mark Unsworth/Andy Kinnear/Thomas Mayo and students. Photography by Liam Fuller; digital print of letterpress posters; sewn binding in soft covers; 20.5 x 15cm; 2015</image:caption>
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      <image:title>Collaborations</image:title>
      <image:caption>Toolbox A book made during a residency at Haslemere, Surrey, organised through Farnham Maltings Art Centre. It contains prints of the tools of local craftspeople, made with their assistance – this page is of Syrian-born weaver Anas al Akhoann. Letterpress and gum arabic print; Japanese binding; edition of 4; 2016</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/77be826c-11b6-4d06-8fcf-388be344a3d0/A%2Bwhale.jpg</image:loc>
      <image:title>Collaborations - Make it stand out</image:title>
      <image:caption>Event Horizon Event Horizon - Poem by Nigel McLoughlin. Series of prints made for the exhibition Duplex, initially in Groningen, Netherlands then touring, that encouraged artist/poet collaborations. Letterpress and screenprint; edition of 10; 50 x 36cm; 2015</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/668b7c82-02f6-4106-a60f-a32c4565d09c/Albums.jpg</image:loc>
      <image:title>Collaborations - Make it stand out</image:title>
      <image:caption>Singles Remind me of Kisses Singles Remind me of Kisses - A print from a series of printed song fragments by Squeeze lyricist Chris Difford; a collaboration of over 20 different posters. Letterpress and screenprint; edition of 100; 2013</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/679d1a3a-7248-430e-a7df-401f6c61eb69/Cardo2.jpg</image:loc>
      <image:title>Collaborations - Make it stand out</image:title>
      <image:caption>Cardo Typewriter poem with Maria Stadnicka for ToCall magazine #20 (PSW Gallery) celebrating Ruth Wolf-Rehfeldt. Originally written with an Olympia, the published copy printed with a gestetner 320; 2024</image:caption>
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      <image:title>Collaborations - Make it stand out</image:title>
      <image:caption>Counting Poem by Rosie Miles, for her Poetry &amp; Illustration project, using wooden and metal type; edition of 6; 86 x 35.5cm; 2011</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/649f87b2-501b-4572-ade6-7b8607e2cdb4/No+Delete+Key+.jpg</image:loc>
      <image:title>Collaborations - Make it stand out</image:title>
      <image:caption>No Delete Key Booklet from a typewriter workshop at the Museum in the Park, Stroud, Gloucestershire. Contains the work of over 25 artists and poets, cover image by Andrew Heath. Typewriter and digital print, staple bound, edition of 50; 2014</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/0f02beb6-c19f-4a6c-84db-3b1644a4ef9b/disOrder.jpg</image:loc>
      <image:title>Collaborations - Make it stand out</image:title>
      <image:caption>disOrder Series of 12 poem postcards in a boxed set, numbered through a hole matrix. Texts by Maria Stadnicka. Letterpress printed and published by Kerbstone Press. 16 x 12cm; Unlimited edition; 2024</image:caption>
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      <image:title>Collaborations - Make it stand out</image:title>
      <image:caption>Country of Large Rivers Poem by Etel Adnan, letterpress print by Andrew Morrison. Made for Beau Beausoleil’s al-Mutanabbi Street Broadsides project 2016</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/4c305a69-ed0e-4b65-9add-53ceace7f7d0/At+Eye+Level.jpg</image:loc>
      <image:title>Collaborations - Make it stand out</image:title>
      <image:caption>At Eye Level Poems by Maria Stadnicka, collages by Mark Mawer, book design and print by Andrew Morrison. At Eye Level was a book, an exhibition and a series of collaborative productions - see also the postcards in the Prints and Cards section. Letterpress and ink-jet printed; edition of 50; 24.5 x 17cm; 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/6465cd16-50fe-4417-8b07-95509c263da5/who-we-are.jpg</image:loc>
      <image:title>Collaborations - Make it stand out</image:title>
      <image:caption>Who We Are Stories about migration - education, understanding and compassion through cultural exchange edited by Jen Whiskerd and Andrew Morrison, printed risograph by Emma Evans at the Pittville Press; 24.5 x 20cm; edition of 80; 2018</image:caption>
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      <image:title>Collaborations</image:title>
      <image:caption>Keel Collage booklet made as part of LENvention letterpress project with nine other letterpress printers, collected works boxed by Jeff Rathermel; wooden type collage; 29 x 20cm; 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/ff32cff1-e0f3-4567-aeb9-59103389c619/Clash+Book.jpg</image:loc>
      <image:title>Collaborations - Make it stand out</image:title>
      <image:caption>Clash Book Collaborative series of books made for ‘CLASH’ letterpress artists gathering; includes Angie Butler, Hazel Grainger, Lucy Guenot, Jen Harrison, Rachel Marsh, Jeff Rathamel, Elizabeth Willow, Philippa Wood; letterpress, stamping, collage; 2023</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582733485860-IMR31JWFD0T1EAFXWO8V/Collaborations_0000_Oxford_Museums.jpg</image:loc>
      <image:title>Collaborations</image:title>
      <image:caption>Oxford Museum Pamphlets This was part of a collaboration with sculptor/printmaker Simon Packard made for the University Museums in Oxford and designed to be altered or developed by visiting students. Screenprint on single sheet, folded to concertina; unlimited edition; 29 x 21cm; 2013</image:caption>
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      <image:title>Collaborations - Make it stand out</image:title>
      <image:caption>Buds Poem Graeme Hobbs, with linocuts by AM. Edition of 40; 2014</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582734402592-AD70Z93CV4BL85SZ00V8/Collaborations_0012_phragmites.jpg</image:loc>
      <image:title>Collaborations</image:title>
      <image:caption>Phragmites A print with Roy Hubbard from the Floriate XII series; graphite powder drawing with letterpress text; edition of 40; 57 x 36cm; 2014</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/fef55c6a-56a1-49e8-8283-1f797d780de3/Nightjars.jpg</image:loc>
      <image:title>Collaborations - Make it stand out</image:title>
      <image:caption>Nightjars Part of an ongoing series of prints with painter/illustrator Roy Hubbard of bird and plant themes; letterpress and woodcut; edition of 20; 70 x 37cm 2015</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/bbb8ffee-3b8d-4e48-a77a-09881838513e/City.jpg</image:loc>
      <image:title>Collaborations - Make it stand out</image:title>
      <image:caption>Imperfect Poem collection from Maria Stadnicka with letterpress texts and woodcuts.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/125e266d-4132-4860-b783-f771477212b8/Collaborations_0008_Toolbox1_.jpg</image:loc>
      <image:title>Collaborations</image:title>
      <image:caption>Toolbox drawing Large wall drawings made for the Toolbox book (above); charcoal and graphite powder. Made with the craftspeople of Haselmere; 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582733537840-ISHVB8PQM290FNMDQV7O/Collaborations_0001_Open_West.jpg</image:loc>
      <image:title>Collaborations</image:title>
      <image:caption>Open West catalogue A hand-printed catalogue for Lyn Cluer Coleman and Sarah Goodwin’s Open West exhibition made for the first three years of its occurrence – in which each contributing artist had their own page. The image is of #3; screenprint and letterpress; concertina; edition of 100; 21 x 21cm; 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582734019965-KTN3FSYTVO07DJVJ4PKL/Collaborations_0007_no_place_like.jpg</image:loc>
      <image:title>Collaborations</image:title>
      <image:caption>The Impossible Just Takes Longer From a series of prints with writer/photographer Jamie Harris. A highlight of these series was an article featuring our work in Vogue, however we were somewhat underwhelmed with the title We Love Graphic Prints. Letterpress; 58 x 37cm; 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582733960111-VXD4Y4JCIRONBLC8DSL4/Collaborations_0006_Curlew-On-Rain-Slack-_DSC6560.jpg</image:loc>
      <image:title>Collaborations</image:title>
      <image:caption>Curlew on Rainslack Poems by Sarah Lee; images by Roy Hubbard – on each page the number of softrushes printed increases until the centrefold then decreases again.  Screenprint and letterpress; casebound; edition of 200; 15 x15cm; Published by Two Wood Press 2010</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.andrewmorrisonbooks.uk/oversize</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/8457ff32-e510-4dca-b3aa-1e8c317d3786/andrew-morrison-newtown.jpg</image:loc>
      <image:title>Oversize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582728136776-8EN5UEQQ80LU6LNUR1CP/Oversize_Section_0001_Averting_Your_fate.jpg</image:loc>
      <image:title>Oversize</image:title>
      <image:caption>Averting Your Fate Charms and keepsakes worn to avert an evil fate. Letterpress and woodcut with inset objects and etched blocks; Japanese binding; edition of 12; 62 x 35cm; 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582728080909-3ADHTXY3OIFFL5JDNKL6/Oversize_Section_0000_Twelve_Roman_Poems.jpg</image:loc>
      <image:title>Oversize</image:title>
      <image:caption>Twelve Roman Poems Loose sheets bound in a portfolio. I printed this directly after And This for You, with its mixed font aesthetic, in part to demonstrate (principally to myself) that I could still print conventionally. Screenprint and letterpress; the text was hand-inked and printed on Ken Sprague’s Columbia; edition of 12; 50 x 32cm; 2005</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582728204110-HP8LF66UX6LM3PI53PHX/Oversize_Section_0002_Ikarus.jpg</image:loc>
      <image:title>Oversize</image:title>
      <image:caption>Ikarus One of three Icarus books I have made, this one using three symbols – circle, line and cross to represent sun, earth and man respectively. Sewn soft covers; woodcut on Japanese paper; edition of 12; 44 x 28cm; 2001</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/d4b0ab5a-7c12-4e09-8d1e-050648ca8cba/Ikarus+III.jpg</image:loc>
      <image:title>Oversize - Make it stand out</image:title>
      <image:caption>Icarus III A third retelling of the Icarus myth. Told from the boy’s side who wants his father’s love more than deliverance.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582728272235-GTJ4R54ZFNF6VIZ80YF0/Oversize_Section_0003_And_This_For_You_.jpg</image:loc>
      <image:title>Oversize</image:title>
      <image:caption>And This for You The ceramicist Nick Homoky, who owned This for Me gave me the title for its sequel. I used as a text a list of consolations written initially for my daughter Hannah. Letterpress and relief blocks; Japanese binding; edition of 12; 45 x 32cm; 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582728536861-RQRJ14UCXZGABGCNHXNV/Oversize_Section_0006_Three.jpg</image:loc>
      <image:title>Oversize</image:title>
      <image:caption>Three A narrative carried by images, texts and symbols, divided into threes. Woodcut on Japanese paper; Japanese binding; edition of 3; 69 x 33.5cm; 2004</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582728679758-PA7DZ0NTQD17R0D8W24D/Oversize_Section_0008_Cush_Man.jpg</image:loc>
      <image:title>Oversize</image:title>
      <image:caption>Cush Man In London we called it Vaynites -  a word to signify your safety in the game of tag; a friend from Northumberland told me that there it was known as Cush Man and these truce terms were the starting point for a book exploring how we keep ourselves safe in threatening circumstances.  Woodcut, screenprint and letterpress; edition of 12; 52 x 32cm; 2004</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582728620934-TF37PJM4D5BIUWEF6839/Oversize_Section_0007_This_for_You.jpg</image:loc>
      <image:title>Oversize</image:title>
      <image:caption>This for Me A book of requests that could also be commands. Screenprint and letterpress including hand-cut letters. Edition of 12; 45 x 32cm; 2003</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/7a755419-41f5-41dd-b803-94c88695f7bd/Techne-4-oversize.jpg</image:loc>
      <image:title>Oversize - Make it stand out</image:title>
      <image:caption>Techné Techné was published by the Pittville Press at the University of Gloucestershire annually between 2012-18. Edited by Kieren Phelps and Andrew Morrison with printing assistance from Mark Unsworth, Jen Whiskered and students. The aim was to reconnect artists/illustrators/designers with physical print process. This page, from Techne´4, shows a response to the poems of Lorca by John Barrett. Edition of 100; 35 x 24.5cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582728390789-87PXFFFFQKX6GWBYR5TE/Oversize_Section_0005_The_Carrier.jpg</image:loc>
      <image:title>Oversize</image:title>
      <image:caption>The Carrier This was a book that I worked on for much of the 80’s (on and off). Images and texts both relief printed then worked into with a scalpel. Intended as a unique artists’ book, parts of this were published but not the complete work. c1984</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582728326195-89S4AII062S4KTE9RU3F/Oversize_Section_0004_Untelling.jpg</image:loc>
      <image:title>Oversize</image:title>
      <image:caption>Untelling Intended as a sequel to The Carrier. I realised whilst making this that unless I started making smaller, more achievable things, I would be telling the same stories over and over again. 48 x 32cm; c1989</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.andrewmorrisonbooks.uk/library</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/bded58de-a2d5-439e-afc5-14b2f9ae48a3/edj.jpg</image:loc>
      <image:title>Library - Make it stand out</image:title>
      <image:caption>Edj Texts about edges written around the edge of pages of increasing sizes using the International Phonetic Alphabet. Companion piece to Either Side of the Rain. Letterpress/plate printed; coptic binding with embossed greyboard covers; 15.5 x 15.5cm; edition of 30; 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582727425599-RGIZ3XUXOCBYCNCDS4BT/Library_0009_Provenance.jpg</image:loc>
      <image:title>Library</image:title>
      <image:caption>Provenance A ‘white book’ which uses folds and stitching to conceal texts and images all of which refer to the making of the book itself. Mixed-media including letterpress, etching and gum arabic printing; casebound; edition of 30; 15.5 x 15.5cm; 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1f833a50-3c43-4450-9d01-a1778a97cfe3/Either-side-of-the-rain.jpg</image:loc>
      <image:title>Library - Make it stand out</image:title>
      <image:caption>Either Side of the Rain Windows poem running around apertures of decreasing sizes. Letterpress text; coptic binding with embossed greyboard covers; 15.5 x 15.5cm; edition of 30; 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582727572504-Y4YDG9PVGFYN0QY7E0MF/Library_0000_Ampersand.jpg</image:loc>
      <image:title>Library</image:title>
      <image:caption>Ampersand A selection of wooden type ampersands - a celebration of their designers’ invention and probably also, flaunting my collection. Wooden type; perfect bound with board covers; unlimited edition, 18 x 18cm; 2007</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582727409331-KXZH9DOOV76Q6EQEH180/Library_0008_Chroma_Numerica.jpg</image:loc>
      <image:title>Library</image:title>
      <image:caption>Chroma Numerica The numbers 1-30 printed on a chromatic scale. Woodcut; perfect bound with board covers; edition of 30; 14 x 14cm; 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582727368076-VIWUV0C7W0V44K8OOX7C/Library_0005_The_Strangeness_of_Ordinary_Things.jpg</image:loc>
      <image:title>Library</image:title>
      <image:caption>The Strangeness of Ordinary Things Concertina, letterpress and block print. I was leant a series of random advertising blocks by the printmaker John Richardson; the ensuing book was an attempt to unify the images through a single voice - a discourse on the vicissitudes of domesticity. Letterpress and block print; concertina; edition of 20;15.5 x 11cm; 2002</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/24cfd300-74e9-41b4-be28-c7c53dffe349/More+Signs.jpg</image:loc>
      <image:title>Library - Make it stand out</image:title>
      <image:caption>More Signs The companion book to Ampersand. A range of lino-cut and wooden type glyphs; perfect bound with board covers; unlimited edition. 18 x 18cm 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582727332846-N54RV1HLI8KXLXEC5904/Library_0002_DSCN4635.jpg</image:loc>
      <image:title>Library</image:title>
      <image:caption>Rebinding This was made for Beau Beausoleil’s al-Mutanabbi Street Starts Here project. Remaking – the bookbinders’ tools as metaphors for renewal. My first, and only attempt at a book edition printed through gum arabic printing; letterpress text. Edition of 6; 26.5 x 20cm; 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582727491308-LWDC117GDVKX6WAX82R4/Library_0011_Sixties_Child.jpg</image:loc>
      <image:title>Library</image:title>
      <image:caption>Sixties Child Dedicated to my sister Carol ‘who misunderstood the sixties with me’.  Screenprint and letterpress; casebound; edition of 16; 25.5 x 18cm; 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582727394379-XI2P9DUO6ZX6P03RI80Y/Library_0007_Twelve_Words.jpg</image:loc>
      <image:title>Library</image:title>
      <image:caption>Twelve Words Twelve words using the structure of the book to accentuate or question literal meaning. Lino-cut texts; casebound; edition of 30; 33 x 25cm; 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/7429cdcd-5e51-46c7-845f-b6008debbd66/White+Horse.jpg</image:loc>
      <image:title>Library - Make it stand out</image:title>
      <image:caption>White Horse Made whilst working near the White Horse of Uffington. The horse is a much used symbol on school jerseys and council insignia, but it varies wildly in each interpretation; the horse’s shape refuses absolute definition. Inkjet printed with letterpress index; edition of 9; 20 x 12.5cm; 2002</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582727383914-3LBZEYNK48SL34S7Q2L7/Library_0006_Flower_Riddles.jpg</image:loc>
      <image:title>Library</image:title>
      <image:caption>Flower Riddles Two-sided flower riddles. This book won the inaugural Hereford School of Art bookprize. My delight in winning was tempered by the fact I was the only entrant. Etching on Japanese paper using a self-generated phonetic text; concertina in slipcase; edition of 10; 15 x 12cm; 1990</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582727449106-I0GPCS3V89AYJRA3MRMS/Library_0010_Double_Cross.jpg</image:loc>
      <image:title>Library</image:title>
      <image:caption>Double Cross Texts and images based around the symbol/image of the redacted cross. Mixed-media including letterpress and etching; edition of 12; 21 x 16cm; 2001</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582727344072-M27NJUT8RSVJD0P4V3OH/Library_0003_White_Ghost.jpg</image:loc>
      <image:title>Library</image:title>
      <image:caption>White Ghost Above and below earth poems with personal phonetic text. Ink and white gouache; casebound; one-off book; 30 x 24cm; 2000</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582727356315-0VR1R4YCC86AEQ65S54C/Library_0004_Two_Wood_Press_A-Z.jpg</image:loc>
      <image:title>Library</image:title>
      <image:caption>Two Wood Press A-Z This was made initially for an exhibition called A-Z. I delighted in gaining prints from non-type-high objects and random printer’s ephemera. I always told my students that an A-Z was the last recourse for the uninspired, but everybody has one in them. Letterpress and relief print, edition of 30; 18 x 15.5cm 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/1582727657005-0MRPZA0QCHAFGYUN9R59/Library_0001_One_Previous_Owner.jpg</image:loc>
      <image:title>Library</image:title>
      <image:caption>One Previous Owner This was made for exhibition at Leeds Museum and Art Gallery – Books about Books and contained a collection of marginalia and page customisation. Digital print with handmade additions and objects; edition of 12; casebound; 18 x 12cm; 2009</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.andrewmorrisonbooks.uk/prints</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/08a527c2-e222-4691-88d5-c3640bdde296/andrew-morrison-tuplei-red.jpg</image:loc>
      <image:title>Prints - Make it stand out</image:title>
      <image:caption>Tu-plei 1 - Red Made for Tu-plei 2021. Triptych in three primary colours; large letterpres/woodcut collages with texts about ‘play’ in response to Maria Stadnicka’s Buried Gods Metal Prophets.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/e82fb1ee-29f6-41ee-8e2e-398bea85c454/andrew-morrison-a-bookseller.jpg</image:loc>
      <image:title>Prints</image:title>
      <image:caption>A Bookseller Letterpress poster for Beau Beausoleil’s al-Mutanabbi Starts Here broadside project</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/6f271c15-2f1d-4a52-bce7-7359013f37c0/andrew-morrison-books--tuplei-blue.jpg</image:loc>
      <image:title>Prints - Make it stand out</image:title>
      <image:caption>Tu-plei 2 - Blue Letterpress/woodcut collage. I wanted these to look like fragments cut from a huge wall of text and image.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/bfd6a941-4f48-46d8-9bce-12e2df8f06a1/andrew-morrison-at-eye-level.jpg</image:loc>
      <image:title>Prints - Make it stand out</image:title>
      <image:caption>At Eye Level triptych Three letterpress collages made in/on type cases for the At Eye Level project</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/4dcbb61b-e0c0-4095-8cab-c309d620bca1/andrew-morrison-3.jpg</image:loc>
      <image:title>Prints</image:title>
      <image:caption>Three 1 Large prints made from the wooden shapes used in the book 3 - see oversize section. Hand-burnished on Japanese paper. Phonetic texts to be read in threes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/b9a3c805-db25-4506-84e4-3623bcc9b78a/Rainbow.jpg</image:loc>
      <image:title>Prints - Make it stand out</image:title>
      <image:caption>What we Perceive Made for BABE the Lost Weekend. At home during the Covid lock-down. 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/2c8e9e7a-4240-45bf-a275-a29542637f45/cut-heal-4.jpg</image:loc>
      <image:title>Prints - Make it stand out</image:title>
      <image:caption>Cut/Heal Four large prints; wooden type text cut successively into smaller fragments but still, perhaps, legible.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/c85851fe-24e9-47fb-bfb0-a00481aabf69/andrew-morrison-three.jpg</image:loc>
      <image:title>Prints - Make it stand out</image:title>
      <image:caption>Three 2 Lead-tongue, stone-cold, kiss.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/f6a2f1f3-41c0-4b24-bb58-01c244d1ee2f/andrew-morrison-smoked-a-joint.jpg</image:loc>
      <image:title>Prints</image:title>
      <image:caption>Drugs Den Letterpress poster made for the Glasgow Poster Wall project.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/9c740ec1-509e-4aff-9470-9081b0740fde/andrew-morrison-inheritance.jpg</image:loc>
      <image:title>Prints</image:title>
      <image:caption>Evidence …you travelled to the most exotic places and bought back the everyday. Keepsakes and mementos; letterpress and screenprint.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/84096a5d-80f0-4bc5-ac94-4224082ba375/andrew-morrison-ambient.jpg</image:loc>
      <image:title>Prints</image:title>
      <image:caption>Three Words 5 A series of twelve autobiographical poems in three words - work which is forever ongoing; trying to match word- sense and colour.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/334e8be5-e574-42b4-88eb-28aafabd53e1/andrew-morrison-unorthodox.jpg</image:loc>
      <image:title>Prints</image:title>
      <image:caption>Three Words 7 Three-word poems.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/f571cf5c-fa15-4cd9-8afb-18a3f8daf7bd/andrew-morrison-lob.jpg</image:loc>
      <image:title>Prints</image:title>
      <image:caption>Lob Cut and reassembled wooden letters; a series of prints.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/14744259-11af-4d72-9549-d3d21fb12f69/White+Things+on+Green.jpg</image:loc>
      <image:title>Prints - Make it stand out</image:title>
      <image:caption>White Things on Green Made for Lenvention - letterpress gathering at High Green, Northumberland; letterpress; 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4fed82394557787cf36d76/28049a08-8db7-4d2f-b015-51ce3cfa96ee/Ampersands.jpg</image:loc>
      <image:title>Prints - Make it stand out</image:title>
      <image:caption>Ampersands Printed for John Furnival’s I AM PERS AND Openings-Closing Press 2015</image:caption>
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      <image:caption>Eight Typographic installation at Farnham Maltings Art Centre, Surrey. One of 30 prints pasted into the interior of the building.</image:caption>
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